生与死的乡土画卷——马金莲《长河》与萧红《呼兰河传》比较  

A Rustico Picture about Life and Death——A Comparison of“Long Course of Time”Written by Ma Jinlian and“Story of the Hulan River”by Xiao Hong

作　　者：周爱华[1] ZHOU Ai-hua(Department of Basic Education,Zhejiang Constructive Vocational College,Hangzhou Zhejiang 311231,China)

机构地区：[1]浙江建设职业技术学院基础教育部,浙江杭州311231

出　　处：《湖北开放职业学院学报》2022年第15期193-195,共3页Journal of Hubei Open Vocational College

基　　金：浙江省高校重大人文社科公关计划项目“‘80后’女性小说叙事主题嬗变研究”阶段性成果(项目编号:2021QN092);浙江省省属高校基本科研业务费专项资金资助课题。

摘　　要：马金莲《长河》与萧红《呼兰河传》书写乡土民间的生与死,具有浓郁的乡土抒情色彩。女童视角和桔瓣式并置结构都有助于实现小说散文化。相似的主题书写中蕴涵着不同的情感价值取向:《呼兰河传》承续“改造国民性”启蒙传统,民众对死的冷漠反衬出生之“沉沦”状态;《长河》死亡书写体现出穆斯林宗教信仰,村民在苦难面前的坚韧、善良与“大爱”。“Long Course of Time”written by Ma Jinlian and“Story of the Hulan River”by Xiao Hong were both about the life and death of local folk,which had strong local lyric color.The novels adopted girl’s perspective and orange juxtaposition structure,which would contribute to features of prose.Similar themes contain different emotional value orientations:“Story of the Hulan River”inherited the enlightenment tradition of“transforming national character”,in which the public’s indifference to death set off by contrast the“sinking”state of birth.Death writing in“Long Course of Time”reflects the Muslim religious belief,which showed the villagers’tenacity and humanity in the face of hardship.

关 键 词：马金莲 《长河》 《呼兰河传》 死亡 

分 类 号：I206[文学—中国文学]