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作 者:冯子龙 Feng Zilong
机构地区:[1]湖北大学哲学学院
出 处:《华文文学》2022年第4期5-14,共10页Literatures in Chinese
摘 要:从创作缘起和价值观来看,香港地区新派武侠小说最初应该被看成香港左派文学的一种,是内地为了扩大在香港市民阶层的影响力创造出来的文化产品。由于香港特殊的政治环境,香港地区新派武侠小说不得不把革命价值观和儒家价值观结合在一起,避免和港英当局发生冲突。随着金庸的出走,香港地区新派武侠小说的价值观内核转向深化儒家价值观。这种结合了革命价值观的儒家价值观以通俗文学和流行文化为载体,在20世纪下半叶的华人社群里获得了广泛的认同,是现代儒家思想史上的一条隐蔽线索。In relation to the origin of its creation and values, new martial arts fiction in Hong Kong in the very beginning ought to be viewed as a variety of leftist Hong Kong literature, a cultural product created by China’s mainland for the purpose of expanding its influence at the level of Hong Kong residents. As a result of the special political circumstances in Hong Kong, new martial arts fiction had to combine revolutionary values with the Confucian values to avoid conflicts with the British Hong Kong authorities. With the departure of Jin Yong, the core values in the new martial arts fiction in Hong Kong have turned to the Confucian values at a deeper level. The Confucian values, combined with the revolutionary values, and conveyed through popular literature and popular culture, have won wide recognition in the Chinese communities, and are a hidden thread in the history of though in modern Confucianism.
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