平衡与超越诗学的实践——《脚注》的多重空间与香港文学新的可能  

The Practice of a Balancing and Transcending Poetics:the Multiple Space of Footnotes and the New Possibilities of Hong Kong Literature

作　　者：颜敏 Yan Min

机构地区：[1]惠州学院学报编辑部

出　　处：《华文文学》2022年第4期21-29,共9页Literatures in Chinese

基　　金：惠州学院省特支计划配套项目“粤港文学互动研究”。

摘　　要：Footnotes(《脚注》)是香港作家唐睿的首部长篇小说,小说对香港安置区的声色描摹与记忆重现、在正文与脚注之间进行的叙事实验,呈现了一种平衡与超越诗学。作者是以后来者的优势进入香港历史叙事,对习常的宗教、物象和语言等多种写作元素传承翻新,在对立面的平衡中探寻文化阐释的新可能,它看似应时实则挑战时流,以深入其间又出乎其外的策略,开拓了富有张力的文学空间,回应了香港文学的多重问题,敞开了新一代香港作家对于宗教、物象、语言与文学的辩证意识,显现了香港文学新的可能。The first novel by Tang Rui, a Hong Kong writer, Footnotes presents a balancing and transcending poetics in describing the sounds and colours of the settlements in Hong Kong and the representation of memory, narratively experimenting between the text and the footnotes. As a late comer, the author has the advantage of entering into the historical narrative of Hong Kong and renewing in terms of inheritance multiple written elements such as the usual religions, matters and languages, exploring new possibilities for cultural explication in the opposing equilibriums, looking as if it were quite fitting into the times whereas in fact it is a challenge to them with a strategy that goes deeper while expanding wider in the exploration of a literature full of tension in answer to multiple issues in Hong Kong literature while opening up the dialectical consciousness of the new generation of Hong Kong writers to religion, objective images, language and literature, showing new possibilities in Hong Kong literature.

关 键 词：香港文学 《脚注》 叙事实验 平衡与超越诗学 

分 类 号：I207.4[文学—中国文学]