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作 者:陈池瑜 Chen Chi-yu(College of Fine Arts,Capital Normal University,Beijing 100084;Cademy of Arts&Design,Tsinghua University,Beijing,100084)
机构地区:[1]首都师范大学美术学院,北京100048 [2]清华大学美术学院,北京100084
出 处:《艺术百家》2022年第3期11-19,27,共10页Hundred Schools In Arts
摘 要:中国古代有着丰富的艺术史料,其中包含艺术史观、品评标准、著述方法等,它们具有鲜明的民族特征,是我们构建当代形态的中国艺术史学的重要资源和学术基础。中国艺术史学发展到唐代,以张彦远的《历代名画记》为标志,建立起系统的绘画艺术史学体系。此外,唐代保存下来较为完整的画史著作,还有彦悰的《后画录》、裴孝源的《贞观公私画史》、朱景玄的《唐朝名画录》等。文章对这三部著述进行初步探讨,揭示其中包含的绘画史学思想,品评画家的标准及著述方法与特征。Ancient China has rich historical materials of art,including art historical views,evaluationcriteria,writing methods,etc,which have distinct national characteristics,and they are important resource and academic foundation for us to build a contemporary form of Chinese art history.When the development of Chinese art history into Tang Dynasty,it established a systematic of painting art system,this was marked by Zhang Yanyuan’s Li Dai Ming Hua Ji(The Records of Tang and Pre-Tang Dynasties Famous Paintings).In addition,there are other relatively complete works of painting history preserved in the Tang Dynasty,including Yan cong’s HouHuaLu(Famous Paintings Record in Tang Dynasty),Pei Xiaoyuan’s Zhenguan Gong Si HuaShi(The Painting History of Royal and Private collections in ZhenGuan Period),Zhu Jingxuan’s Tangchao Minghua Lu(The Famous Paintings of Tang dynasty),etc.This article conducts a preliminary discussion on these three works,reveals the historical painting thoughts contained in them,the criteria for evaluating painters and the writing methods and characteristics.
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