从提喻到交错配列:格林布拉特的新历史主义修辞运作  

From synecdoche to chiasmus:Rhetorical operation in Greenblatt’s New Historicism

作　　者：陈怀凯[1,2] CHEN Huaikai(Center for Literary Theory and Aesthetics,Shandong University,Ji'nan 250100,China;School of Translation Studies,Shandong University,Weihai 264209,China)

机构地区：[1]山东大学文艺美学研究中心,山东省济南市250100 [2]山东大学(威海)翻译学院,山东省威海市264209

出　　处：《外文研究》2022年第2期28-34,106,共8页Foreign Studies

摘　　要：格林布拉特的新历史主义批评首先是一种批评实践和修辞运作。它将文化视为一个由不同部分组成的“庞大文本”,各个不同的“文本片段”都被共同的“逻辑”所支配。格林布拉特在对这个“庞大文本”进行解读时,一方面借助提喻的手法,通过对某一“文本片段”的解读来触摸文本整体的轮廓;另一方面又借助交错配列的手法,探讨不同“文本片段”之间的相互关系,使它们相互参照、相互阐发。然而,提喻和交错配列之间没有绝对的界限,后者是对前者的进一步拓展和延伸。Greenblatt’s New Historicism is primarily a critical practice and rhetorical operation. It sees culture as a “giant text” made up of different parts which are governed by the shared “logic”.On the one hand, Greenblatt seeks, through synecdoche, to “touch” the profile of the “whole text” by reading “textual fragments”;on the other, he also explores, by chiasmus, the relationship between different “textual fragments”, making them illuminate each other. The boundary between synecdoche and chiasmus, however, is porous, with the latter as a further extension and expansion of the former.

关 键 词：提喻 交错配列 格林布拉特 新历史主义 修辞运作 

分 类 号：I106[文学—世界文学]