禅宗“明心见性”观念对北宋文人诗歌的影响  

The Zen Concept of“Finding One's True Self with Sincerity”:its Influence on Literati Poems of the Northern Song Dynasty

作　　者：肖田田 XIAO Tiantian(Faculty for Nationalities,Lishui University,Lishui 323000,Zhejiang)

机构地区：[1]丽水学院民族学院,浙江丽水323000

出　　处：《丽水学院学报》2022年第4期69-77,共9页Journal of Lishui University

摘　　要：禅宗“明心见性”的思想观念影响了北宋文人的诗歌创作。在禅宗思想观念中,真心“无所还”,众生开悟后就可明清净之心、见不生不灭之性,即“明心见性”。真心如水、如镜、如月、如寒灰,真心无所住,心净则一切净。苏轼、黄庭坚等人在诗歌中使用了众多具有象征性的意象,以此来表明真心的澄明清净之性。这些意象进入诗歌,营造出闲适安乐、宁静自然的美好意境。“明心见性”观念的融入带来诗歌题材内容以及艺术风格的变化,增强了诗歌的哲理性意味以及语言的陌生化特色,同时也带来了诗歌的梦幻之感。The Zen concept of“Finding One's True Self with Sincerity”influenced the poetic creation of literati in the Northern Song Dynasty.In Zen ideology,sincerity“has nothing to return”,and when become enlightened,people will then be able to have purified mind and see their own nature that does not emerge or perish.In other words,they are then capable of finding their true self with sincerity.Sincerity is like water,a mirror,the moon,and cold ashes and has nowhere to dwell.When the mind is pure,everything is pure.Su Shi,Huang Tingjian and others used many symbolic images in their poems to denote the clearness and purity of sincerity.Having been drawn on in their poems,the images gave rise to a beautiful artistic conception of leisure,peace,tranquility and unaffectedness.The concept brought forth the changes in the contents and artistic styles of the poems,not only enhancing their philosophical meanings and language feature of defamiliarization but also brings the dream feelings.

关 键 词：明心见性 宋代诗歌 苏轼 黄庭坚 

分 类 号：I222.7[文学—中国文学]