《阮玲玉》计量分析与中国早期影人图谱  

Cinemetrics Analysis on Center Stage and Knowledge Graph of Chinese Earlier Filmmakers

作　　者：李春芳 Li Chunfang

机构地区：[1]中国传媒大学计算机与网络空间安全学院

出　　处：《电影艺术》2022年第4期34-45,共12页Film Art

基　　金：“中央高校基本科研业务费专项资金资助”(CUC210A008);国家社科基金艺术学项目“中国剧本数据库构建及大数据智能剧本创作系统研究”(批准号:18BC034)和重大项目“中国特色电影知识体系研究”阶段性成果。

摘　　要：光影绵长数字平台融合StarWord和Cinemetrics计量电影数据,分析平均镜头长度的区域特征,并对中国电影可视化分析。算法拉片以电影文本为核心,通过程序分镜、字幕识别、人物图谱绘制,研究了关锦鹏电影《阮玲玉》的叙事结构、剪辑特征和人物关系,数据还原了阮玲玉生活的社会历史面貌,并从中“体认”影人的生命轨迹。从文科艺术类编程角度,对计量电影学涉及的相关算法和工具予以审视,能够通过计量电影的辅助拉片功能,揭示编剧、导演和剪辑师潜在的创作密码。The Endless Light and Shadow Digital Platform(movie.yingshinet.com)combines the cinemetric data of StarWord and Cinemetrics to analyze the regional characteristics of the average lens length and visually analyze Chinese films.With the film text as the core,the algorithm studies the narrative structure,cutting style and character relationship of the film Center Stage directed by Guan Jinpeng through lens segmentation,subtitle recognition and figure map drawing.The data restores the social and historical appearance of Ruan Lingyu’s life and“recognizes”the life trajectory of characters.Based on this,from the perspective of liberal arts programming,the relevant algorithms and tools involved in cinemetrics are examined,which can reveal the potential creative code of screenwriters,directors and editors through the auxiliary film pulling function of cinemetrics.

关 键 词：数字人文 计量电影学 电影史电影 数据可视化 电影本体 

分 类 号：J905[艺术—电影电视艺术]