迟滞的影像:生命物质与现代性的对峙  

Living Matter and Modernity:The Images Being Delayed

作　　者：开寅 Kai Yin

机构地区：[1]重庆大学数字影视艺术理论与技术重庆市重点实验室

出　　处：《电影艺术》2022年第4期67-76,共10页Film Art

基　　金：国家社科基金艺术学项目“身体影像溯源——论京剧对当代动作电影的美学影响”(批准号:20CC169)阶段性成果;重庆大学中央高校基本科研业务费(NO.2022CDJSKPT28)资助。

摘　　要：从法国哲学家亨利·柏格森于19世纪末提出的生命思想,到一个世纪后吉尔·德勒兹归纳的知觉驱动模式,可以清晰地看到在现代工业化资本主义制度下呈对峙状态的双方——生命物质和现代性——之间的巨大鸿沟。20世纪初美国现代文学的发展和第二次世界大战后意大利新现实主义、法国新浪潮以及美国新好莱坞运动在创作方法论和美学观念上的革新,体现了在这种对峙状态中,迟滞的影像对于现代性量化原则主导下的知觉驱动模式的阻断和消解。From Henri Bergson’s concept of living matter to Gilles Deleuze’s introduction to the concept of sensorimotor,we pinpoint the confrontation between the two rivals in the modern capitalist and industrial system:living matter and modernity.This contest had evolved with the development of the new American literature since the beginning of the 20 th century and the aesthetic and creative revolution in cinema conducted by Italian Neorealism,French New Wave and New Hollywood movement after the Second World War.The tendencies of modernization toward the quantification and alienation of human’s behavior were rejected by these new film waves which,on the basis of the function of the Delayed Images derived from the living matter theory,intended to deconstruct and block the operation of the sensorimotor dominated by the devices of modernity.

关 键 词：柏格森 德勒兹 现代性 生命物质 知觉驱动 

分 类 号：J905[艺术—电影电视艺术]