20世纪五六十年代香港(地区)现实题材粤语片的现代转型  

The Modern Transformation of Cantonese Films with Realistic Themes in Hong Kong in the 1950s and 1960s

作　　者：赵卫防[1,2] Zhao Weifang

机构地区：[1]中国艺术研究院电影电视研究所 [2]中国台港电影研究会

出　　处：《电影艺术》2022年第4期101-107,共7页Film Art

摘　　要：20世纪50年代中期之后,香港(地区)现实题材的粤语片创作步入新的阶段。在主题表达上,这些粤语片一方面赓续香港(地区)传统粤语电影的教化、启蒙以及关注草根阶层的传统;另一方面也开辟了粤语电影的新人物和新主题,在50年代中期之后的香港(地区)粤语影坛营造了一种现代化景象。与此同时,这一时期的香港(地区)现实题材粤语片,也在努力进行以喜剧类型为主的商业类型的探索,力求营造出新的娱乐文明。香港(地区)粤语电影创作通过这些创新和变化,实现了从传统到现代的转型。After the mid-1950 s,the creation of Cantonese films with realistic themes in Hong Kong entered a new stage.In terms of theme expression,these Cantonese films,on the one hand,continue the indoctrination and enlightenment of Hong Kong’s traditional Cantonese films and the tradition of paying attention to the grass-roots class.On the other hand,it also opened up new characters and new themes of Cantonese films,creating a modern scene in Hong Kong Cantonese film world after the mid-1950 s.At the same time,the Cantonese films with realistic themes in Hong Kong during this period were also trying to explore the commercial genres dominated by comedy and strive to create a new entertainment civilization.Through these innovations and changes,Hong Kong Cantonese film creation has realized the transformation from tradition to modernity.

关 键 词：香港(地区)现实题材粤语电影 赓续传统 现代转型 类型创新 

分 类 号：J909.2[艺术—电影电视艺术] K27[历史地理—历史学]