多面侠女:20世纪80年代女侠片的生成及样式  

Multifaceted Chivalrous Women:Generation and Style of Chivalrous Films in the 1980s

作　　者：龚艳 Gong Yan

机构地区：[1]上海师范大学

出　　处：《电影艺术》2022年第4期152-160,共9页Film Art

基　　金：2019年度国家社科基金艺术学重大项目“新中国成立七十周年戏曲史上海卷”(批准号:19ZD04);2018年度国家社科基金艺术学重大项目“中国电影学派理论体系建构研究”(批准号:18ZD14)阶段性成果。

摘　　要：20世纪80年代正值承上启下之时,背靠“十七年”,面向市场化。女侠片作为武侠电影的亚类型正在蓬勃复苏。这一时期,女侠片的叙事主要表现为“侠女怀仇”和“行侠仗义”,其中也不乏有武无侠,有情无侠,甚至立场彼此冲突之作。女侠片的美学形态也呈现出多维度探索:立体摄影技术对既有类型观感的拓展、性别写作与商业元素、先锋视听风格的嫁接等。将之并列比照,既能观照其生成的复杂性,亦有助于进一步厘清在其多义性、暧昧性背后的深层次原因。The 1980s is the connecting link of the“17 years”films and the marketized film.As a sub-type of martial arts films,chivalrous women films are booming recovery.During this period,the narrative of chivalrous women films is mainly manifested as chivalrous women’s revenge and chivalrous warrior.There are also some chivalrous films focusing on force and love,but not chivalry,and even films with conflicting positions.The aesthetic form of chivalrous women films also presents multi-dimensional exploration:the expansion of stereo photography technology on the existing types of perception,gender writing and commercial elements,the grafting of pioneer audio-visual style.Parallel comparison can not only reflect on the complexity of chivalrous films generation,but also help to further clarify the deep-seated reasons behind its ambiguity.

关 键 词：女侠片 女侠 类型 20世纪80年代 

分 类 号：J905[艺术—电影电视艺术]