当代藏族题材绘画中的酒神精神探析  

Analysis on Dionysian Spirit in Contemporary Tibetan Paintings

作　　者：吴娴[1] Wu Xian

机构地区：[1]上海戏剧学院

出　　处：《美术》2022年第8期144-145,共2页Art Magazine

摘　　要：藏族题材美术是20世纪中国美术史上的重要组成部分,尤其是改革开放以后,风靡全国。这一时期的藏族题材美术深受尼采哲学思想中“酒神精神”的影响,表现出独立的个体意识、强大的情绪舒张和内在的诗意气质,在’85美术运动及现当代美术思潮中都呈现出独特而鲜明的风格,对于艺术解决当下时代困惑,以及研究藏族题材绘画与中国当代美术整体构建中的互生关系具有现实意义。Tibetan theme art is a vital part of Chinese art history in the 20th century. Notably, it has swept the country since reform and opening up. The Tibetan theme art in this period is deeply influenced by the "Dionysian spirit" in Nietzsche’s philosophy,showing independent individual consciousness, powerful emotional tension and internal poetic temperament. It has shown a unique and distinctive style in the “85 Modern Art Movement” and modern and contemporary art trends, which is of practical significance for art to solve the confusion of the current era and study the coexistent relationship between Tibetan theme paintings and the overall construction of Chinese contemporary art.

关 键 词：藏族题材绘画 西藏美术 改革开放 酒神精神 

分 类 号：J205[艺术—美术]