论西洋歌剧的民族性(14):回顾与借鉴(下)  

On the national traits of Western opera(14):Review and reference(Part 2)

作　　者：黄奇石 

机构地区：[1]不详

出　　处：《歌剧》2022年第8期34-41,共8页Opera

摘　　要：(接上期)(六)中国民族歌剧的成败得失:欧洲之外,就世界大范围内尤其是亚洲来看,中国歌剧起步并不算晚,大约在20世纪初叶(一二十年代之交)就进入萌发期,与美国音乐剧产生的时间几乎是大体相同的。OUTLINE/For decades,China's operatic scene has been shrouded by"foreign accents and foreign tunes,generating much debate and controversy.Playwright and librettist Huang Qishi,who served as Vice President of the China Opera and Dance Theater,discusses the issue of nationalism in Western operatic history,shedding light on the present and future of Chinese opera.

关 键 词：西洋歌剧 中国民族歌剧 美国音乐剧 成败得失 民族性 20世纪初叶 萌发期 

分 类 号：J83[艺术—戏剧戏曲]