从媒介到思维--当代性绘画的演进  

From Media to Thought--The Evolution of Contemporary Painting

作　　者：吴彦臻 Wu Yanzhen

机构地区：[1]中央美术学院

出　　处：《当代美术家》2022年第4期50-55,共6页Contemporary Artists

摘　　要：绘画媒介经历着自身内部的更新和发展,在当代的情景下呈现出许多新的演变和可能性。有面对绘画媒介的更新、面对绘画思维的拓展。通过这两种方式,绘画思维的重要性得以突出。研究绘画语言的演变,不仅依附于形态和媒介来讨论,还需要对个案、现象和事件在绘画思维上进行分析。本文以绘画语言逐渐脱离传统绘画媒介的逻辑,简略排列了当代绘画语言的研究成果和个案,提出将绘画语言的研究根植于绘画的思维,就绘画思维与其他媒介甚至是学科的融合,在方法论的层面上展开探讨,从而形成绘画语言的方法论研究。With the internal renewal and development,more possibilities and evolutions are attached to the drawing media today.The renewal of drawing media and development of thinking reveal the importance of the latter.Study of drawing language evolution not only discusses forms and media,but also depends on the analysis of drawing thoughts on cases,phenomenon and events.This article briefly sorts out the research results and cases of contemporary drawing languages in logical order of gradual deviation of drawing languages from traditional media.The author also proposes that it is important to discuss the methods about studying drawing languages rooted in the thinking and integrating the drawing thinking with other media,even other disciplines,which will finally constitute methodological research on drawing languages.

关 键 词：中间媒介 绘画媒介 绘画思维 方法 论 好邻居法则 

分 类 号：J205[艺术—美术]