农业文化遗产视阈下石湾陶艺碎片可持续设计  

Sustainable Design of Shiwan Ceramic Fragments from the Perspective of Agricultural Cultural Heritage

作　　者：彭梅 苏颖欣 马剑婷 肖佩珊 谢倩宜 邹岚[1] PENG Mei;SU Yingxin;MA Jianting;XIAO Peishan;XIE Qianyi;ZOU Lan(College of Arts,South China Agricultural University,Guangzhou 510630,China)

机构地区：[1]华南农业大学艺术学院,广州510630

出　　处：《中国陶瓷》2022年第8期92-99,共8页China Ceramics

基　　金：2018年教育部产学合作协同育人项目(201801230007);2019年广东省教育厅高校特色创新类项目(哲学社会科学)(2019WTSCX008);2020年华南农业大学校级创新创业训练项目(X202010564021X);2021年广东省教育科学规划研究项目(高等教育专项)(2021GXJK273)。

摘　　要：从可持续设计理念出发研究石湾陶艺碎片再利用设计方案,达到活性化传播岭南非物质文化遗产的目的。梳理佛山基塘农业文化与石湾陶艺的关系,从造型、图案和釉色三个维度对不同类别的石湾陶艺文化基因进行提取分析,总结石湾陶艺碎片产生的原因及其特点,探索不同特点陶艺碎片与多种材料结合的创新设计方法。得出结论:石湾陶艺碎片可以与木材、金属、软陶等材料结合,实现地域文化与产品设计的有效融合,传播农业文化的同时推动可持续发展。Starting from the concept of sustainable design,this paper studies the reuse scheme of Shiwan ceramic fragment design.So as to achieve the purpose of actively spreading Lingnan intangible cultural heritage.We sort out the relationship between Foshan Dike-Pond agricultural culture and Shiwan ceramic art,then extract and analyze the cultural genes of different types of Shiwan ceramic art from the three dimensions of shape,pattern and glaze color.Finally,this article summarizes the causes and characteristics of Shiwan ceramic art fragments,and explores the innovative design methods of combining ceramic art fragments with various materials.It is concluded that Shiwan ceramic fragments can be combined with wood,metal,soft pottery and other materials to realize the effective integration of regional culture and product design,and promote sustainable development while spreading agricultural culture.

关 键 词：佛山基塘农业文化遗产 石湾陶艺 可持续设计 

分 类 号：J527[艺术—艺术设计]