莎士比亚戏剧中“一见钟情”的视觉机制研究  

A Study on Visual Dynamics of“Love at First Sight”as Reflected in Shakespeare’s Plays

作　　者：阮世勤[1] RUAN Shiqin(Faculy of Humanities and Social Sciences,Guangzhou Civil Aviation College,Guangzhou 510403,China)

机构地区：[1]广州民航职业技术学院人文社科学院,广东广州510403

出　　处：《东莞理工学院学报》2022年第4期27-32,共6页Journal of Dongguan University of Technology

基　　金：2021年广东省普通高校特色创新项目“现代美国科幻电影的城市建构伦理研究”(2021WTSCX153)。

摘　　要：“一见钟情”是莎士比亚戏剧中爱情叙事的重要叙述组成。戏剧中对“一见钟情”的叙述表征为具有偶然性的视觉投射机制,但其偶然性的背后却是对以父权社会文化为基础的个体视觉规训的认同。从权力的角度来看,“一见钟情”的发展通常是受制于父权社会的权力表征,它有时也被利用为父权社会场域内的权力博弈策略,其发展的最终走向也是以维护父权社会的稳定与可持续发展为前提。“Love at first sight”is an important component of love narrative in Shakespeare’s plays.In those plays,the description of“love at first sight”seems to be an occasional visual protection dynamics,but it essentially turns out to be the identification of the individual visual regulation based on patriarchal social culture.From the perspective of power,the development of“love at first sight”is usually under the control of the symbol of patriarchal power.And sometimes it is employed as a power gaming strategy in patriarchal society.The ultimate purpose of its development is to guarantee the steadiness and sustainability of patriarchal society.

关 键 词：一见钟情 莎士比亚 性别 视觉 父权 

分 类 号：I106.3[文学—世界文学]