汉画像对鲁迅封面设计图像表达的影响  

Influence of Portraits of the Han Dynasty on Image Expression in Lu Xun’s Cover Design

作　　者：苗清华 MIAO Qing-hua(College of Literature,Anhui Normal University,Wuhu 241000,China)

机构地区：[1]安徽师范大学文学院,安徽芜湖241000

出　　处：《湖北文理学院学报》2022年第7期68-75,共8页Journal of Hubei University of Arts and Science

摘　　要：汉画像作为汉代艺术的集大成者,蕴含着丰富而深厚的艺术内涵和文化内涵,其广泛的题材、丰富的图案样式为鲁迅的封面设计提供了宝贵的视觉语言。封面设计中,鲁迅对汉画像图案样式的借鉴、对其美学风格的“移植”,无不彰显出他对汉画像装饰性艺术的重视。更为重要的是,在装饰性的背后,还隐藏着鲁迅更加深刻的表达,即从“装饰性”向“自我启蒙”功能的转变。As the representative of the Han Dynasty’s art,portraits of the Han Dynasty contain rich and profound artistic and cultural connotation.The wide range of themes and rich patterns provide a rich visual language for Lu Xun’s cover design.In the cover design,Lu Xun’s reference to the pattern of portraits of the Han Dynasty and the“transplantation”of its aesthetic style all show his emphasis on the decorative art of portraits of the Han Dynasty.More importantly,Lu Xun’s more profound expression is hidden behind the decoration,that is,the transformation from“decoration”to“self-enlightenment”.

关 键 词：鲁迅 汉画像 封面设计 图形设计 美学风格 自我启蒙 

分 类 号：J524.5[艺术—艺术设计]