德国浪漫主义女性诗学构想  

On the Feminine Poetics of German Romanticism

作　　者：张帆[1] ZHANG Fan(Department of German Language and Literature,Shanghai International Studies University,Shanghai 200083,China)

机构地区：[1]上海外国语大学德语系,上海200083

出　　处：《同济大学学报（社会科学版）》2022年第4期1-10,共10页Journal of Tongji University:Social Science Edition

基　　金：国家社会科学基金一般项目“德国女性文学创伤叙事与修复机制研究”(19BWW062)。

摘　　要：德国浪漫派将女性精神融入浪漫主义诗学,围绕女性展开富有浪漫想象的审美颂扬与哲学省思,奉女性为诗学理想的化身,宣称浪漫主义“进步的全面诗学”是一种“女性艺术形式”。浪漫派女作家以“接触的语言”“幻想的真实性”等“反模式”的美学原则,诠释和演绎了浪漫主义诗化人生的理念,生成颇具女性先锋实验和解放特质的浪漫主义女性诗学观。这既是对庸常现世的美学超越,亦是对社会禁锢的抵制与抽离,具有现实与空想的双重意义,在德国女性解放历史中具有里程碑意义,也为当代女性主义理论提供了诸多可供反思和借鉴的思想资源。German Romanticism integrated the female spirit into Romantic poetics,and initiated aesthetic glorification and philosophical reflections with romantic imagination about women.They regarded women as the embodiment of poetic ideal,and declared“the progressive universal poetry”to be a“female art form”.The Romantic women writers interpreted and displayed the concept of Romantic poetic life with the“anti-pattern”aesthetic principles of“language of contact”and“realism of fantasy”,generating a view of the Romantic feminine poetics with the characteristics of female pioneering experimentation and emancipation,which is not only an aesthetic transcending of the real world,but also resistance and detachment of the social confinement.It is a milestone of both realistic and fantastic significance in the history of women’s emancipation in Germany,and provides a lot of intellectual resources for reflection and reference for the contemporary feminist theory.

关 键 词：德国浪漫主义 女性诗学 浪漫化 浪漫诗 信件小说 

分 类 号：I516.064[文学—其他各国文学]