东方水墨语言介入空间艺术形态研究——以徐冰装置艺术为例  

Research on the Intervention of Oriental Ink and Wash Language in Space Art Forms:Taking Xu Bing’s Installation Art as an Example

作　　者：郑淼[1] 李彦萍 

机构地区：[1]大连理工大学建筑与艺术学院

出　　处：《建筑与文化》2022年第9期257-259,共3页Architecture & Culture

摘　　要：文章从探究水墨语言在中国建筑、雕塑创作中的不同表达方式,探讨在不同空间艺术形态之间水墨语言的关联,借助水墨语言进一步分析徐冰的装置艺术。针对艺术家在创作中对材料媒介的把握及作品背后深层的中国文化情结两个方面,剖析徐冰装置艺术中的思想精神构建。当代雕塑在呈现艺术家观念的同时,更应该侧重对当代社会、文化观念的思考,加强艺术与社会现实之间的联系。在此基础上,对当下空间艺术创作中水墨语言的应用作出进一步研究。From exploring the different expressions of ink language in Chinese architecture and sculpture creation,this paper discusses the relationship between ink language between different spatial art forms,and further analyzes Xu Bing’s installation art with the help of ink language.This paper analyzes the ideological and spiritual construction of Xu Bing’s installation art in view of the artist’s grasp of the material medium in his creation and the deep Chinese cultural complex behind his works.Contemporary sculpture should focus on thinking about contemporary social and cultural concepts and strengthen the connection between art and social reality.On this basis,the application of ink language in the creation of space art is further studied.

关 键 词：徐冰 水墨语言 装置 材料 思想观念 

分 类 号：J5[艺术—艺术设计]