《诗经》修辞正变论——兼及“文学自觉”问题的一种考察  

On Rhetorical Patterns in the Book of Songs——also on the Issue of “Literary Self-Consciousness”

作　　者：韩宏韬[1] 郭琪 HAN Hong-tao;GUO Qi

机构地区：[1]河南科技大学人文学院,471023 [2]郑州大学文学院,450006

出　　处：《杜甫研究学刊》2022年第3期99-113,126,共16页Journal of Du fu Studies

基　　金：国家社会科学基金项目“唐代诗经学的诗化研究”(20BZW048);河南省社会科学规划基金项目“宗经观念与唐代诗经学研究”(2019BWX005)阶段性成果。

摘　　要：修辞技巧是《诗经》艺术成就的重要方面,有33种辞格,大致可分为13种正格与20种变格。正格的发生缘于周礼的委婉、情感的抒发、配乐的需要以及认识事物的深入,变格的发生则是基于主体认知的选择以及先民的接受度。正格与变格体现着共同的修辞特征,即主从性和互融性、原生性与素朴性、丰富性与统一性、普遍性与特殊性四个方面。《诗经》如此丰富多变的修辞不仅有利于情感表达、艺术叙事、诵读传播以及温柔敦厚美学观的形成,更重要的是强化了《诗经》的文学属性,为学界在认识“文学自觉”的问题提供了一种新的维度。Rhetorical techniques are an important aspect of the artistic achievement of the Book of Songs,and there are 33 types of rhetorical patterns,which can be roughly divided into 13 positive patterns and 20 variable patterns. The positive forms are based on the euphemism of the Zhou rites,the expression of emotions,the need for music and the indepth understanding of things, while the variant forms are based on the choice of the subject’s perception and the acceptance of the ancestors. The four common rhetorical characteristics of the proper and variant forms are subjectivity and interplay, originality and simplicity,richness and unity,and universality and particularity. The rich and varied rhetoric patterns in the Book of Songs not only facilitates the expression of emotions,artistic narratives,recitation and dissemination,and the formation of a gentle and generous aesthetic,but also,and more importantly,strengthens its literary attributes,providing a new dimension for scholars to understand“literary self-consciousness”and break through stereotypes.

关 键 词：《诗经》 修辞 正格 变格 文学自觉 

分 类 号：I207.22[文学—中国文学]