主体言说的“抽象性压抑”——小说《酒楼》中的时代精神症候  

The "Abstract Repression" of the Subject’s Speech:the Mental Symptoms of the Times in the Novel Jiu Lou

作　　者：李昕 LI Xin(School of Literature,Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学文学院,天津300071

出　　处：《石家庄学院学报》2022年第5期137-142,共6页Journal of Shijiazhuang University

摘　　要：跨世纪不仅是时间的线性更迭,更意味着文化与精神层面的剧烈转变。世纪之交作为一个文化节点,一方面传统逐渐消解为时代底色,新的资本逻辑涌现并主导着社会变迁;另一方面,身处其中的个体在现实与精神层面都面对一种剧烈而直白的“现代性跳转”。个体所遭遇的创伤,一方面成为其在现实层面挣扎以愈合创伤的动力,另一方面承担着宣告创伤无处愈合的宿命。在此意义上,小说《酒楼》在文本内外都暴露出结构性困境这一真相,从而产生了一种具备“精神史写作”意义的寓言效果。Cross-century is not only a linear change of time, but also a drastic change in culture and spirit.As a cultural node at the turn of the century, on the one hand, tradition gradually dissolves into the background of the times, and new capital logic emerges and dominates the social changes;on the other hand, the individual faces a drastic and straightforward "modern jump" in reality and spirit. The trauma that the individual encounters becomes the driving force for him to struggle to heal the wound at the realistic level, and it bears the fate of declaring that the wound has nowhere to heal. In this sense, the novelJiu Louexposes the truth of structural dilemma both inside and outside the text, thus producing an allegorical effect with the meaning of "spiritual history writing".

关 键 词：《酒楼》 跨世纪 乡土秩序 精神困境 失落 

分 类 号：I206.7[文学—中国文学]