观演距离:观众参与行为的触发条件  

Viewing Distance:the Trigger Condition of Audience Participation Behavior

作　　者：胡一伟[1] 唐敏 HU Yiwei;TANG Min

机构地区：[1]南昌大学新闻与传播学院,江西南昌330031

出　　处：《民族艺林》2022年第3期15-24,共10页Journal of Ethnic Art

基　　金：2018年国家社会科学基金青年项目“演示类叙述的数字化传播特征及价值内涵研究”(项目编号:18CXW022)阶段性成果;江西省2020年文化艺术规划项目“媒介考古学视域下江西地方戏曲故事的传播载体研究”(项目编号:YG2020118)的阶段性成果。

摘　　要：观与演的距离会直接作用在接收者的观看、阐释的过程之中,即观众对观演距离的感知是受演出的形态、物理距离影响的,且物理距离可以较为直接地比较出观演距离的变化与其产生的不同效果。因此,我们可通过物理上的观演距离来看观众的参与行为,以及符号意义的接收与阐释活动。从物理距离出发来论观演关系,它有观演分离、有限接触、有限参与和观演结合这四种模式类型,这四种模式类型通过观众活动心理(共情)、演出情景场地、观众需求,即情与境,触发观众的不同参与行为。In demonstrative narration,the distance between observation and performance will directly affect the process of the receiver’s observation and interpretation.That is,the audience’s perception of the performance distance is affected by the shape of the performance and the physical distance,and the physical distance can directly compare the change of the performance distance and its different effects.Therefore,we can observe the audience’s participation behavior,as well as the reception and interpretation of symbolic meaning through the physical distance.From the perspective of physical distance,there are four types of spectation-performance relationship,which are spectation-performance separation,limited contact,limited participation and spectation-performance combination.These four types of models trigger different participation behaviors of audiences through audience’s activity psychology(empathy),performance site and audience demand,i.e.emotion and environment.

关 键 词：观演距离 观众行为 演示叙述 共情 

分 类 号：J80[艺术—戏剧戏曲] J81