中国文化背景下歌剧演唱技术“本土化”变革探析  

Analysis on the“Localization”Transformation of Opera Singing Skills under Chinese Cultural Background

作　　者：宫妮[1] GONG Ni(School of Music Education,Shenyang Conservatory of Music,Shenyang 110000,China)

机构地区：[1]沈阳音乐学院音乐教育学院,沈阳110000

出　　处：《白城师范学院学报》2022年第4期77-81,共5页Journal of Baicheng Normal University

基　　金：辽宁省教育厅科学研究经费项目“歌剧在中国文化背景下‘本土化’演唱技术变革与发展的研究”(2020SYQ11)。

摘　　要：歌剧作为西方舶来品在中国发展已有百余年光景,根深蒂固的传统思想以及数千年积淀的艺术审美也让歌剧在中国有了新的青春。演唱技术作为歌剧最直观的外部表现特征之一受到“本土化”影响最大,并开创出了属于中国独特的演唱方法。当然,这种方法形成不是一蹴而就的,文章旨在探索中国文化背景下歌剧演唱技术“本土化”变革历程,从变革的形式、方法、思想、体系方面进行阐释,借此更加深入地将理论应用到实践演唱与教学中去。Opera,as an imported product from the West,has been developing in China for more than one hundred years.The deep-rooted traditional thoughts and thousands of years accumulation of artistic aes-thetics have also given opera a new youth in China.As one of the most direct external characteristics of op-era,singing skill has been most influenced by“localization”,and has created a unique singing method be-longing to China.Of course,this method is not formed overnight.This paper aims to explore the“localiza-tion”reform process of opera singing skills under the background of Chinese culture,and explain the reform form,method,thought and system,so as to further apply the theory to practical singing and teaching.

关 键 词：歌剧 “本土化” 演唱技术 

分 类 号：J617.2[艺术—音乐]