“园林诗”范畴的史实与学理新说  

Historical Truth and New Theories of the Category of “Garden Poetry”

作　　者：李浩 LI Hao(Center for Chinese Culture Studies,Northwest University,Xi’an 710127,China)

机构地区：[1]西北大学中国文化研究中心,陕西西安710127

出　　处：《西北大学学报（哲学社会科学版）》2022年第5期87-93,共7页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：国家社会科学基金重大项目“中国古代园林文学文献整理与研究”(18ZDA240)的阶段性成果。

摘　　要：通过梳理山水诗、田园诗和园林诗等概念的由来,叙述了山水诗、田园诗的缘起与演变,勾勒唐代园林的兴盛历程来彰显园林诗的突出特点。文章引入景观学“四种自然说”等理论,以求从学理上界定荒野、田园和园林等自然景观环境,也为园林诗范畴的成立寻找学理的依据,为当前的文学史和唐诗史书写提供一更新的话语系统和理论范畴。Through combing the derivation of the concepts of landscape poetry,pastoral poetry and garden poetry,this paper expounds the beginnings and evolution of landscape poetry and pastoral poetry,and highlights the outstanding characteristics of garden poetry by outlining the flourishing course of Tang dynasty gardens.After introducing the theory of “four kinds of nature” in landscape architecture,this paper aims to define natural landscape environment such as wilderness,pastoral and garden from the perspective of academic theory to find the theoretical basis for the establishment of the category of “garden poetry”,so as to provide a new discourse system and theoretical category for the writing of current literary history and Tang poetry history.

关 键 词：文学史 园林诗 景观学 四种自然说 

分 类 号：I206.2[文学—中国文学]