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作 者:刘伟生 LIU Wei-sheng(Jiangsu University of Technology,Changzhou,Jiangsu,China,213001)
机构地区:[1]江苏理工学院,江苏常州213001
出 处:《广东开放大学学报》2022年第4期67-73,共7页JOURNAL OF GUANGDONG OPEN UNIVERSITY
基 金:教育部人文社会科学研究规划基金项目“赋体叙事勘查与研究”(13YJAZH055);江苏理工学院社科基金项目“赋体叙事研究”(KYY21501)成果。
摘 要:赋以铺陈为本质特征,赋体叙事结构的共性也在于因铺陈需要而形成的经纬并列、先后相续的组构方式,以及由此形成的整体性、图案化、团块状结构。从赋体基本表现手法与结构共性出发,可以分析各类赋体的体制特征:大赋以问答构篇、铺张扬厉;骚体因兮句成文,长于抒情;骈赋凭对仗缀段;对仗加命题、限韵、定字的要求确立了律赋体制;律赋的盛极而衰又走向不拘格律的文赋;律赋处处裹挟,新文赋则信马由缰。Fu features elaborate descriptions,and the commonality of Fu narrative structure is also manifested in the parallel and sequential organization of longitude and weft due to the need of detailed narrations,thus the integrity,patterning,and block-like structure is formed as a result.Proceeding from the basic expressive methods and structural commonalities of the Fu style,we are able to analyze the style characteristics of various Fu styles:Da Fu,featuring organization of questions and answers,tends to be more aggressive;Sao Fu excels in lyrical due to the"xi"sentences in forming the article;Pian Fu is characterized with parallel structures.The parallel structure plus the given topics,restricted rhymes,and limited the number of characters join to establish the system of LvFu,whose prosperity and decline ultimately resulted in a trend toward non-standard literary verses.In fact,it is conformed with restrictions,while the new literary verses is free that takes its own natural course.
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