从动画场景设计角度分析岭南文化在《雄狮少年》中的呈现  

Analysis of the Presentation of Lingnan Culture in I AM WHAT I AM from the Perspective of Animation Scene Design

作　　者：张旻 Zhang Min(Zhongnan University of Economics and Law,Wuhan 430073,China)

机构地区：[1]中南财经政法大学,武汉430073

出　　处：《艺术与设计（理论版）》2022年第8期125-127,共3页Art and Design

摘　　要：时代在进步,中国的动画产业在技术和政策的支持下繁荣发展。中国动画电影创作团队的原创意识逐步增强,越来越多的设计师试图探寻属于中国自己的动画风格和发展道路。文章试以国产原创动画《雄狮少年》为例,分析岭南文化与动画场景设计的关联性,并从岭南建筑和自然风貌、岭南风俗文化和岭南精神文化三点具体分析岭南文化在动画中的呈现及策略。通过对此案例的分析,启示中国的动画创作团队将地域文化元素融入到动画场景中,探索属于中国动画的民族风格与特征。The times are progressing, and China’s animation industry is flourishing with the support of technology and policies. The originality consciousness of Chinese animation film creation team is gradually increasing, and more and more designers are trying to explore the animation style and development path belonging to China itself. This paper tries to analyze the correlation between Lingnan culture and animation scene design by taking the domestic original animation I AM WHAT I AM as an example, and analyzes the presentation and strategy of Lingnan culture in animation from three aspects : Lingnan architecture and natural style, Lingnan customs and culture, and Lingnan spiritual culture.Through the analysis of this case, China’s animation creation team is inspired to integrate regional cultural elements into the animation scene and explore the national style and characteristics of Chinese animation.

关 键 词：岭南文化 动画场景设计 雄狮少年 中国原创动画 

分 类 号：J218.7[艺术—美术] G05[文化科学]