唐代长安大面、踏摇娘歌舞戏服饰研究  

Research on the costumes of Chang'an Da Mian and Ta Yaoniang song and dance drama in Tang Dynasty

作　　者：张彬 ZHANG Bin(School of Fashion and Art Design,Xi'an Polytechnic University,of Engineering,Xi'an 710048,China)

机构地区：[1]西安工程大学服装与艺术设计学院,陕西西安710048

出　　处：《东华大学学报（社会科学版）》2022年第3期53-59,共7页Journal of Donghua University:Social Science

基　　金：2022年度国家社科基金艺术学项目“考古学视域下的宋代戏剧服饰研究”(项目编号:2022CB00420);2022年度西安市社会科学规划基金项目“唐代长安戏剧服饰研究”(项目编号:22LW51);2022年陕西省社会科学基金年度项目“考古学视域下的唐代戏剧服饰研究”(项目编号:2022J092)。

摘　　要：唐代长安歌舞戏服饰深受西域歌舞戏服饰的影响,其是丝绸之路上东西方戏剧服饰文化交流中出现的新现象。以唐代长安歌舞戏中的大面、踏摇娘服饰为例,根据唐代长安与西域歌舞戏服饰艺术特征的对比结果,运用文献结合考古图像的研究方法,深入分析唐代长安歌舞戏中大面、踏摇娘服饰的形制特征及其与唐人日常生活服饰之间的关系,阐释丝绸之路上唐代长安与西域在歌舞戏服饰方面的文化交流以及其传递的各种信息。the costumes of Chang'an song and dance drama in the Tang Dynasty were deeply influenced by the costumes of song and dance drama in the western regions.It is a new phenomenon in the cultural exchange of drama costumes between the East and the West on the Silk Road.Taking the costumes of Da Mian and Ta Yaoniang in Chang'an song and dance drama of the Tang Dynasty as an example,according to the comparison of the artistic characteristics of the costumes of Chang'an song and dance drama of the Tang Dynasty and the western regions,and using the research method of literature and archaeological images,this paper deeply analyzes the specific shape characteristics of Da Mian and Ta Yaoniang costumes in Chang'an song and dance drama of the Tang Dynasty and their relationship with the daily life costumes of the Tang people,explains the cultural exchange and various information transmitted between Chang'an of Tang Dynasty and the costumes between song and dance drama in the western regions on the Silk Road.

关 键 词：歌舞戏 服饰 大面 踏摇娘 唐代 长安 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程]