反叛与创造--电影《暖》对小说《白狗秋千架》的改写研究  

Rebellion and Creation--On the Rewriting of White Dog Swing by Warm

作　　者：李惠[1] 马腾飞 LI Hui;MA Teng-fei(School of Liberal Arts,Yan’an University,Yan’an Shaanxi 716000,China)

机构地区：[1]延安大学文学院,陕西延安716000

出　　处：《菏泽学院学报》2022年第4期102-106,130,共6页Journal of Heze University

摘　　要：改写理论是西方后现代主义的一种文学批评理论。电影《暖》对小说《白狗秋千架》进行改写时,在意象、典型人物形象以及审美感受等方面都进行了适当的调整,其差异既是影视改写对“忠实”原则的叛逆,也与影视媒介具有的共情性特征以及电影的商业性相关。Rewriting theory is a literary criticism theory of western postmodernism. In the rewriting of the novel White Dog Swing, the movie Warm has made appropriate adjustments in the aspects of image, typical character image and aesthetic feeling. The differences are not only the rebellion of movie rewriting against the principle of “loyalty”, but also related to the common characteristics of movie and television media, and the commerciality of the movie.

关 键 词：《白狗秋千架》 《暖》 改写 

分 类 号：I206.6[文学—中国文学]