地方小剧种的小剧场戏曲探索:蒲剧《俄狄王》的台前幕后  

The Exploration of Small Theater’s Chinese Theatre of Local Minor Operas: The Front and Behind the Scenes of Pu Opera King Oedipus

作　　者：梁婉婧 LIANG Wanjing

机构地区：[1]北京语言大学文学院,北京100083

出　　处：《海峡人文学刊》2022年第3期116-123,159,共9页Journal of Humanities Across the Straits

基　　金：国家社会科学基金重大项目“中外戏剧经典的跨文化阐释与传播”(20&ZD283)阶段性研究成果。

摘　　要：小剧场戏曲在中国已经发展了近30年。它从诞生之初便积极与国际接轨,近几年视线逐步转向国内。在探索创作具有民族美学特色的小剧场戏曲的道路上,小剧场戏曲的戏曲本位成为其核心特质。小剧场戏曲对个性化、多元化的追求也逐渐盖过了之前对先锋性、实验性的需要。继京剧、昆曲、川剧等大剧种的一系列成功实践后,一些地方小剧种也加入到创排小剧场戏曲的尝试中。小剧场蒲剧《俄狄王》对古希腊悲剧进行了中国化的改编,同时保留了地方剧种的特色。地方剧团与高校团体联合创排的合作方式不仅可以有效地将科研成果转化为商业剧目,还有助于小剧场戏曲走进地方剧场,从而吸引、培养更多的年轻戏曲观众。The small theater’s Chinese theatre has been developing in Chinese mainland for nearly thirty years. From the beginning of its birth, it has been actively in cooperation with international theaters, and in recent years, its vision has gradually turned to China. On the road of exploring and creating small theater’s Chinese theatre with national aesthetic characteristics, the essence feature of small theater’s Chinese theatre has become its core characteristic. The pursuit of individuation and diversification in small theater’s Chinese theatre has gradually overshadowed the previous need for pioneer and experiment. Following a series of successful practices in major operas such as Peking Opera, Kun Opera, and Sichuan Opera, some local minor opera genres have also attempted to create and arrange Chinese theatre in small theaters. The small theater Pu Opera King Oedipus is a Chinese adaptation of the ancient Greek tragedy, while retaining the characteristics of local opera. The cooperation method of local theater troupes and university groups to jointly create and rehearse not only effectively transforms scientific research results into commercial repertoires, but also helps small theater’s Chinese theatre enter local theaters, thereby attracting and cultivating more young Chinese theatre audiences.

关 键 词：小剧场戏曲 地方小剧种 蒲剧《俄狄王》 创新途径 

分 类 号：J905[艺术—电影电视艺术]