现代文明下的民族书写——以藏族王小忠小说集«五只羊»为例  

Ethnic Writing and Cultural Reflection in Modern Civilization——Take Wang Xiaozhong’s Collection of Five Sheep as an Example

作　　者：李捷 LI Jie(School of Literature,Xizang Minzu University,Xianyang 712082,Shaanxi,China)

机构地区：[1]西藏民族大学文学院,陕西咸阳712082

出　　处：《兰州文理学院学报（社会科学版）》2022年第5期31-34,共4页Journal of Lanzhou University of Arts and Science(Social Science Edition)

基　　金：国家社科基金一般项目“新世纪藏族汉语文学‘中国故事’话语实践研究”(17BZW179);西藏自治区哲学社会科学专项基金项目“西藏当代文学幸福书写的人民性话语实践研究”(20BZW02)。

摘　　要：王小忠的小说,以甘南藏地风物为背景,真实地展现了传统向现代转型过程中,汉藏家庭融合的艰难、匠心精神传承的隐忧、现代人性变迁的沉思。同时,在汉藏民族故事的讲述中,作者融入了对于伦理观念、价值取向、文化碰撞的深切关怀和人文之思。其折射的不仅是甘南草原的变迁,更是民族文化所面临的现实问题。王小忠的小说,不仅展现着藏民族作家创作的独特性与超越性,更在自觉地探寻着现代文明下民族书写与融合中的人文关怀。Wang Xiaozhong’s novels, based on the Tibetan landscape in Gannan, truly show the difficulties of the integration of Han and Tibetan families, the hidden worries of the inheritance of ingenuity spirit, and the meditation on the change of modern humanity in the process of the transformation from tradition to modernity. At the same time, in the storytelling of Han and Tibetan ethnic groups, the author integrates deep concern and humanistic thinking about ethical concepts, value orientation, cultural collision. It reflects not only the changes of Gannan grassland, but also the practical problems faced by ethnic culture. Wang Xiaozhong’s novels not only show the uniqueness and transcendence of Tibetan writers’ creation, but also consciously explore the humanistic care in ethnic writing and integration under modern civilization.

关 键 词：王小忠 民族书写 文化反思 现代文明 

分 类 号：I206.7[文学—中国文学]