“我”如何写“我们”:“殷夫矛盾”与现代主体性难题  

How Can“I”Write about“Us”:The“Yin Fu’s Contradiction”and the Problem of Modern Subjectivity

作　　者：邱焕星 Qiu Xinghuan

机构地区：[1]中国海洋大学文学与新闻传播学院,青岛266100

出　　处：《四川大学学报（哲学社会科学版）》2022年第5期66-76,共11页Journal of Sichuan University：Philosophy and Social Science Edition

摘　　要：殷夫虽然很早就参加革命,但其初期诗歌创作以爱情诗和个人主体“我”为中心,直到1929年发表《别了,哥哥》后,才明确转向了革命诗和类主体“我们”,但是转向后的殷夫,仍旧存在“正负情感”的“矛盾和交战”,甚至有着难以割舍的“阴面的果实”。它们并不仅仅是五四个人主义的残留物和左翼革命无法解决的难题,更是现代主体诞生时自带的哲学难题,即“我”和“我们”背后的个人与社会阶级的关系该如何解决的问题。而“殷夫矛盾”的研究意义,就在其不是这个难题的解决,而是难题的探索和症候。Although Yin Fu was actively involved in the revolution very early,his early poetry was centered on love and the personal“I”subject.It was not until the publication of his“Farewell,Brother”in 1929 that he turned to revolutionary poetry and the quasi-subject“we”.Even after the transition,however,Yin Fu still had the contradiction between“positive and negative emotions”,and produced“dark fruits”that were difficult to part with.They are not only the remnants of individualism of the May 4 th New Culture Movement and the unsolvable problems of the left-wing revolution,but also the philosophical problems inherent in the birth of the modern subject,that is,how to solve the relationship between individuals and social classes behind“I”and“we”.The significance of the study of“Yin Fu’s Contradiction”lies not in the solution of this difficult problem,but in the exploration of its symptoms.

关 键 词：殷夫矛盾 个人主义 革命集体 现代主体 现代新诗 

分 类 号：I206.6[文学—中国文学]