浅谈《聊斋志异》叙事意象背后的审美功能  

The Aesthetic Function Behind the Narrative Image in Strange Tales from a Chinese Studio

作　　者：崔颖 CUI Ying(Lanzhou Petrochemical University of Vocational Technology,Lanzhou Gansu,730060,China)

机构地区：[1]兰州石化职业技术大学,甘肃兰州730060

出　　处：《文化创新比较研究》2022年第22期18-21,共4页Comparative Study of Cultural Innovation

摘　　要：《聊斋志异》作为中国文言小说作品的优秀代表之一,其诞生于诸多小说文体表现形态在叙事艺术层面互相借鉴和参考的时期,在该部作品创作中,灵活应用预叙、非对称叙述与追叙等方法,把各类空间形态事物进行融合整合,在较大程度上提升了创作的自由度,在作品的审美功能方面,叙事意象获得充分体现。文章针对《聊斋志异》叙事意象的基本内涵进行分析,论述了其叙事意象背后的审美功能。Strange Tales from a Chinese Studio,as one of the excellent representatives of Chinese classical Chinese novels,was born in the period when many novel stylistic manifestations learn from and refer to each other at the narrative art level,in the creation of this work,the author flexibly applies the methods of pre narration,asymmetric narration and post narration to integrate all kinds of spatial forms,which improves the degree of freedom of creation to a great extent,in terms of the aesthetic function of the work,the narrative image is fully reflected.This paper analyzes the basic connotation of the narrative image in Strange Tales from a Chinese Studio,and discusses the aesthetic function behind the narrative image.

关 键 词：《聊斋志异》 叙事意象 审美功能 

分 类 号：I207.41[文学—中国文学]