试析托妮·莫里森《宠儿》的文体特征  

An Analysis of the Stylistic Features of Toni Morrison’s Beloved

作　　者：徐楚涵 XU Chuhan(Dalian University of Foreign Languages,Dalian Liaoning,116044,China)

机构地区：[1]大连外国语大学,辽宁大连116044

出　　处：《文化创新比较研究》2022年第17期17-20,共4页Comparative Study of Cultural Innovation

摘　　要：托妮·莫里森于1993年凭借《宠儿》一书获得诺贝尔文学奖。该作品基于传统的文学形式,融入了独特的写作技巧,将灵异故事和历史小说两种题材融于一体,并通过奴隶制这一中心相互强化,使故事自然流畅地向前发展,作品所营造的哀怨的氛围展现了美国黑人的成长历程。莫里森站在一个独特的视角,以独特的形式讲述着独特的故事,旨在唤醒和重塑美国黑人对非洲古老历史与文化的集体记忆,在追溯和挖掘历史的过程中实现自我救赎。Toni Morrison won the Nobel Prize for literature in 1993 with Beloved. Based on the traditional literary form, Morrison integrated the ghost story with real history in Beloved, and strengthened the integration with the theme of slavery, which consequently promoted the natural and smooth narration of the cruel story, and presented the growth process of African Americans in a sad atmosphere created by the infanticide. From a unique perspective, Morrison told a unique story in a unique style, aiming to awaken and reshape the black’s collective memory of African American history and culture in the process of tracing and excavating history, in order to realize their self-redemption.

关 键 词：《宠儿》 自我救赎 美国黑人 文体 

分 类 号：I712.074[文学—其他各国文学]