《蒙娜丽莎》的旅程——艺术品的迁移史  

Journey of Mona Lisa: Meaning of Artworks in Motion

作　　者：刘平[1] Liu Ping

机构地区：[1]清华大学美术学院

出　　处：《美术》2022年第9期122-128,共7页Art Magazine

基　　金：清华大学自主科研资助项目“美术馆的建造”(编号:20151080472)的研究成果。

摘　　要：本文以达·芬奇的作品《蒙娜丽莎》为主要研究对象,通过梳理这件作品诞生以来的多次旅行,即物理位置的迁移,分析旅行背后的缘由,剖析艺术家与艺术机构在不同历史时期,创作和使用艺术品的意图与社会因素,展现艺术史研究的多元化视角,以及艺术的意义来自人与物的关系与互动。Taking Leonardo da Vinci’s Mona Lisa as the main research object, this paper analyzes reasons behind the painting’s movements,and intentions and social factors of artists and art institutions creating and using artworks in different historical periods, by discussing many trips of aMona Lisao. In this way, this paper demonstrates diversified aspects of art history research and how the meaning of art derives from the relationship and interaction between people and objects.

关 键 词：《蒙娜丽莎》 达·芬奇 物 迁移 

分 类 号：J209[艺术—美术]