水印木刻版画作品中的禅宗美学与意象构成  

Zen Aesthetics and Composition of Waterprint Woodcuts

作　　者：王觅 Wang Mi

机构地区：[1]上海美术学院

出　　处：《美术》2022年第9期138-139,共2页Art Magazine

摘　　要：禅宗美学由禅宗思想发展而来,并逐步演变为中国文化及传统美学的组成部分,对水印木刻艺术发展起到重要作用。它所体现出对生命、价值、意义的诗性之思在水印木刻版画的艺术语言表达中得到了贴切的阐释。本文旨在对水印木刻版画中蕴含的禅宗美学思想及其意象构成进行阐释分析,希冀为当代版画创作中的民族文化继承与拓展提供新的思路。Developed from the thought of Zen Buddhism, Zen aesthetics has become an integral part of Chinese culture and traditional aesthetics, and played an important role in the development of waterprint woodcuts. Its poetic thought on life, value and meaning has been fully interpreted in the “artistic language” of waterprint woodcuts. This paper analyzes Zen aesthetics and composition of waterprint woodcuts, to provide a fresh idea for carrying forward and expanding national culture in print creation in the contemporary era.

关 键 词：水印木刻 版画 禅宗美学 意象 

分 类 号：J205[艺术—美术]