以阿尔都塞“唯物主义戏剧观”看当下的电影实践  

On Current Film Practice with Althusser’s"Materialist Drama View"

作　　者：孔柳淋 KONG Liulin(School of Marxism,Nanjing University,Nanjing 210023,Jiangsu,China)

机构地区：[1]南京大学马克思主义学院,江苏南京210023

出　　处：《岭南师范学院学报》2022年第4期59-67,共9页Journal of Lingnan Normal University

摘　　要：阿尔都塞在马克思主义哲学实践的启迪下,开创了一种新的艺术实践,他以一种“症候式”观剧的方式,对比分析了“传统的情节剧”和“唯物主义戏剧”。“唯物主义戏剧”倡导艺术创作展现一种真实的辩证法,引导观众以陌生化“离心”的方式打破剧中意识形态的控制,获得一种批判意识和反思意识,揭露矛盾、产生批判、打破共鸣、自由思考。当下繁荣的电影市场背后,电影作品却越来越丧失艺术作品的本真含义,成为资本逻辑、消费市场和流量运行中的文化商品。同为视觉艺术范畴的电影和戏剧在本质上具有一种亲缘性,阿尔都塞的“唯物主义戏剧观”哲学思想有望打开当下电影研究和建构的新角度和新思维。Under the inspiration of Marxist philosophy practice,Althusser created a new artistic practice,he compared"traditional melodrama"and"materialist drama"in a"symptomatic"way of viewing drama."Materialist drama"advocates artistic creation to show real dialectics and guide the audience to break the control of ideology in the play in a strange"centrifugal"way.So it will help the audience to obtain a critical and reflective consciousness,to expose contradictions,to produce criticism,to break resonance and to think freely.Behind the current booming film market,film works are increasingly losing the true meaning of art works and becoming cultural commodities in the capital logic,consumption market and flow operation.Films and dramas are intrinsically related,which are both in the category of visual art.Althusser’s philosophy of"materialist drama view"is expected to open up new perspectives and new ideas for current film research and construction.

关 键 词：阿尔都塞 电影 “唯物主义戏剧” 艺术实践 

分 类 号：B089.1[哲学宗教—哲学理论] B17