晚清小说叙事的性别分析——以《女娲石》和《女狱花》的对读为例  

Gender Analysis of Novel Narration in the Late Qing Dynasty——Taking Nuwa Stone and Beautiful Women Prisoners as examples

作　　者：马龙 Ma Long(School of Literature,Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学文学院,天津300071

出　　处：《河北工业大学学报（社会科学版）》2022年第3期35-41,共7页Journal of Hebei University of Technology：Social Sciences Edition

摘　　要：晚清小说《女娲石》和《女狱花》虽同以女性为主要描写对象,且皆对性别革命的相关内容有所叙述,但在叙事立场、叙事视点、叙事者对小说人物的称谓、叙事声音等层面存在着明显区别。辨认这些区别并施予性别视角的观照与分析,从中可知:“民族国家本位”和“女性本位”的叙事立场分野是创作主体性别身份差异的重要表征;内外视点的分歧式运用呈现出相应的性别化特征;叙事者对小说人物称谓的差异,以及叙事者声音与人物声音之间或协调或冲突的互动关系暗含一定的性别意味。Although published in the late Qing Dynasty, Nuwa Stone and Beautiful Women Prisoners both take women as the main characters and probe into the relevant contents of the gender revolution, there are obvious differences in the narrative position, narrative viewpoint, the characters′ names, narrative voice and so on in the two novels. By distinguishing and analyzing these differences from the perspective of gender, we can get to know that the division of narrative positions between "Nation-state Standard" and "Gynocentrism" is an important representation to the creation subjects ′ gender identity differences;The divergent application of internal and external viewpoints highlights the corresponding gender characteristics;Both the differences in addressing the characters in the novels and the harmonious or conflicting relationships between the narrative voices and the characters′ voices are tainted with certain gender implications.

关 键 词：《女娲石》 《女狱花》 小说叙事 性别 

分 类 号：I207.4[文学—中国文学]