怎一个“拟”字了得?!——从明清女曲家其人其作观照中国女性之独立  

How is the Word“Quasi”so Good?!-Observing the Independence of Chinese Women from the Perspective of Female Opera Artists and Their Works in Ming and Qing Dynasties

作　　者：郭梅[1] GUO Mei

机构地区：[1]杭州师范大学文传学院,杭州311121

出　　处：《浙江艺术职业学院学报》2022年第2期32-38,共7页Journal of Zhejiang Vocational Academy of Art

摘　　要：中国女性文学自《诗经》始,中经汉唐两宋,代不乏人,明中期后日益繁盛,其中以叶小纨、王端淑、吴藻、刘清韵和陈翠娜等为代表的女曲家,用她们的作品和自身遭际,写就了一部中国女性的心路独立史。Chinese women's literature begins with the Book of Songs,and has passed through Han,Tang and Song Dynasties.There are many talent people in the dynasties.After the mid-Ming Dynasty,it became increasingly pros⁃perous.Among them,female opera artists represented by Ye Xiaowan,Wang Duanshu,Wu Zao,Liu Qingyun and Chen Cuina used their works and their own experiences to write an independent history of Chinese women's mentality.

关 键 词：明清 女曲家 女性独立 

分 类 号：J803[艺术—戏剧戏曲]