元代北方民族诗人咏梅诗审美特征刍议  

A Meager Opinion of Aesthetic Characteristics of Northern Poets’ Poems on Plum Blossoms in Yuan Dynasty

作　　者：毕兆明[1] 陈碧优 BI Zhao-ming;CHEN Bi-you(School of Literature and Media,Inner Mongolia Minzu University,Tongliao 028043,China)

机构地区：[1]内蒙古民族大学文学与新闻传播学院,内蒙古通辽028043

出　　处：《内蒙古民族大学学报（社会科学版）》2022年第3期55-62,共8页Journal of Inner Mongolia Minzu University：Social Sciences

基　　金：国家民委人文社科重点研究基地中国北方民族文化艺术发展研究项目“比较文学视域下的元代北方民族汉语诗歌文类研究”(项目编号:2021BJDY003)研究成果。

摘　　要：咏物诗是中国古代诗歌的重要类型,其中咏梅诗始于魏晋,至宋代趋于繁盛,成就斐然。元代北方民族诗人修习汉典,承袭中原诗歌传统及前朝咏梅风尚,创作出一系列咏梅诗歌佳作,代表诗人有萨都剌、马祖常、贯云石等。受元代多元融合文化的影响,这些咏梅诗显示出宗宋尚意、崇真自然的审美特征。一方面承袭宋代咏梅范式,将梅格与人格融合,与水、月、雪等景物相互映衬,注重对梅枝的摹写;另一方面相异于宋代的“咏志”而“言趣”,在诗歌中更多注入了纯真、自然之情。Choral poetry is an important type of ancient Chinese poetry. Among them,the poetry of plum began in the Wei and Jin Dynasties and flourished in the Song Dynasty,with remarkable achievements. During the Yuan Dynasty,the poets of the northern ethnic group studied Chinese and inherited the poetic tradition of the Central Plains and the chanting of plums from the previous dynasties,creating a series of great chants of plums.The representative poets include Sadula,Mazu Chang,Guan Yunshi and so on. Influenced by the diversified and integrated culture of the Yuan Dynasty,these poems on plum blossoms show the aesthetic characteristics of Study Song Dynasty,and sincere and natural.On the one hand,it inherits the Song Dynasty paradigm of chanting plum,blends the plum pattern with personality,Using water,moon,snow and other scenery to reflect the plum blossoms,and focuses on the copying of plum branches. On the other hand,rooted in the diverse cultural soil of the Yuan Dynasty,the poems are different from the Song Dynasty’s“expression of ambition”but“talking about fun”,and are infused with pure and natural feelings.

关 键 词：咏梅 北方民族诗人 审美特征 

分 类 号：I207.9[文学—中国文学]