明遗民徐芳轶文考论  

Textual Research and Elaboration on the Lost Articles of Xu Fang,an Adherent of the Ming Dynasty

作　　者：潘浩正 PAN Hao-zheng(School of Humanities,Shanghai Jiao Tong University,Shanghai 200240,China)

机构地区：[1]上海交通大学人文学院,上海200240

出　　处：《东华理工大学学报（社会科学版）》2022年第4期314-318,共5页Journal of East China University of Technology(Social Science)

基　　金：国家社科基金重大项目“南明文学作品全编整理与研究”(19ZDA257)。

摘　　要：明遗民徐芳的存世作品集仅《悬榻编》及《藏山稿外编》两种。在查找徐芳相关文献时,发现重要散轶作品若干篇。其中,序文《休园诗馀序》提出“词不戾道”,充分肯定词体的载道价值,反映其文以代变的文学观;小品文《灵蛙记》暗讽清廷蹂躏百姓,体现了徐芳小品散文的文体特色,即对现实的介入。这两篇轶文反映了清初遗民文学载道意识的加强,以及对文学反映时事政治、拯救世道人心等实用价值的关注。The surviving works of the Ming adherent Xu Fang are only two kinds: Hanging Bed Compilation and Hidden in Mountain Manuscript External Compilation. When the author searched for Xu Fang′s relevant literature, he found several important anecdotal works. Among them, the preface The preface of the Lyrics of Xiuyuan proposes that words do not contradict the Tao, which fully affirms the carrying value of the word style and reflects the literary concept of its literary substitution;the essay The Tale of the Spirit Frog satirizes the Qing court′s ravaging of the people, reflecting the stylistic characteristics of Xu Fang′s essays, that is, the intervention in reality. These two anecdotes reflect the strengthening of the consciousness of the early Qing Dynasty adherents in literature, as well as the attention to the practical values of literature such as reflecting current affairs and politics and saving ways of the world and public sentiment.

关 键 词：明遗民 徐芳 轶文 考论 

分 类 号：K249[历史地理—历史学] G256[历史地理—中国史]