中国谍战剧的沉郁风格榷论  

A Discussion on the Depressing Style in Chinese Spy Drama

作　　者：魏兵 韩宜轩 Wei Bing;Han Yixuan

机构地区：[1]北京师范大学艺术与传媒学院,北京海淀100089 [2]中国艺术研究院研究生院,北京朝阳100020

出　　处：《南京师范大学文学院学报》2022年第3期109-116,共8页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：北京社科基金重大项目“当前电视剧创作价值取向研究”(项目编号:17ZDA25)。

摘　　要：沉郁,是中国传统美学对诗歌风格的美学评价。中国谍战剧是在历史发展的真实背景下,展现谍战英雄及其间谍或反间谍活动的类型电视剧,延续了沉郁精神的美学追求。本文旨在从谍战人物的深厚品格、谍战场景的戏剧张力、审美情感的含蓄内敛等三个方面,论证中国谍战剧整体上所呈现出的沉郁风格,并探索中国古典诗美在谍战剧的影视化实践与美学精神的承继。Depressing,is a Chinese traditional aesthetics evaluation of poetry style.China’s spy drama is a type of teleplay presents the heroes in spy or anti-spay activities under the real historical background,it has inherited the aesthetic style of depressing.The purpose of this paper is to discuss the general depressing aesthetic style of Chinese spy drama from the following three aspects:the spy figures’deep characteristics,the dramatic tension in the scene of spy activity,the implicative and unrevealing aesthetic emotion,etc.,in order to explore the inheritances of classical Chinese poetry beauty and aesthetic spirit in the film and television practice of spy drama.

关 键 词：中国谍战剧 沉郁风格 深厚形象 郁愤悲情 含蓄情感 

分 类 号：J905[艺术—电影电视艺术]