辽代密檐式砖塔塔身壁面构成探研  

Constituent Elements of Dense-Eaves Brick Pagodas in the Liao Dynasty

作　　者：高敏[1] 王南[2] 王卓男[1] GAO Min;WANG Nan;WANG Zhuonan

机构地区：[1]内蒙古工业大学建筑学院 [2]清华大学建筑学院

出　　处：《建筑史学刊》2022年第3期136-153,共18页Journal of Architectural History

基　　金：内蒙古自治区科技厅关键技术攻关项目“基于当代数字技术的内蒙古建筑遗产传承与再利用研究”(2021GG0265)。

摘　　要：辽代砖塔处于我国古塔发展历程中的繁丽时期,独特的社会环境造就其极具时代特征的塔身壁面构成。本文选择52座辽代密檐塔为样本,对其塔身壁面部分展开系统研究,分析得出以下结论:辽代密檐式砖塔的塔身构成分属“门窗”及“造像”两大模式,计有“单核心”“双核心”“变体”以及“门窗”四种基础构图,其间可细分出十余种具体构成组合,内蕴显明的地域性特征以及成熟的构成逻辑。The brick pagodas of the Liao dynasty belong to a prosperous period of Chinese pagoda building.The specific social environment of the time created a unique wall composition.This paper investigates the wall composition of fifty-two dense-eaves(miyan)pagodas.As a final outcome,the article suggests to differentiate between the two basic design modes of“door and window”and“sculpture”,and more precisely,between the modes of“single core”,“double core”,“variant”and“door and window”.The modes were combined in a variety of ways:we can identify more than ten specific combinations that share the same logic of composition but show regional characteristics.

关 键 词：辽代 密檐式塔 壁面构成 门窗模式 造像模式 

分 类 号：TU-092.8[建筑科学—建筑理论]