后疫情时代的中国台湾电影创作综述  

A Summary of Filmmaking in Taiwan in the Post-pandemic Era

作　　者：黄钟军[1] HUANG ZhongJun

机构地区：[1]浙江师范大学文化创意与传播学院

出　　处：《电影理论研究（中英文）》2022年第2期73-81,共9页Journal of Film Studies

摘　　要：在“新冠”疫情全球蔓延的两年里,中国台湾电影工作者在困境中努力奋进:在题材和类型上积极突破,呈现出更为丰富、多元的中国台湾电影面貌;积极开发商业IP,力求影片在市场的表现;并抓住好莱坞电影因疫情原因减少在中国台湾上映的良机,让电影有了更多的出头机会。本文通过介绍疫情题材电影、爱情类型、恐怖类型、家庭题材电影以及商业IP的开发等几个面向,来探讨在后疫情时代台湾电影创作的基本面貌。In the past two years,the COVID-19 pandemic has spread around the world.Taiwan Residents filmmakers have made unremtting efforts despite the predicament.They have been creative in their choices of themes and genres so that they manage to enrich and diversify Taiwan films.They actively develop commercial IP in an attempt to enhance their competitiveness in the film market.The filmmakers seize the opportunity a reduced supply of Hollywood films in Taiwan due to the epidemic to screen more local films.This article provides an overview of filmmaking in Taiwan in the post-pandemic era by exploring several aspects,such as pandemicthemed films,genres of love films,horror films,family-themed films,and the development of commercial IP.

关 键 词：“新冠”疫情 中国台湾电影 

分 类 号：J904[艺术—电影电视艺术]