“披沙简金”与“烂若舒锦”:谢氏诗学中的潘、陆华绮美学  

“Shiny Gold Grains from Washing Sand”and“Brilliant as Silk”—The Pan and Lu’s Double Aesthetics Expression in the Xie Clan’s Poetry

作　　者：曹旭[1] 史晓婷[1] CAO Xu;SHI Xiao-ting(School of Humanities,Shanghai Normal University,Shanghai 200233,China)

机构地区：[1]上海师范大学人文学院,上海200233

出　　处：《南通大学学报（社会科学版）》2022年第5期73-82,共10页Journal of Nantong University:Social Sciences Edition

基　　金：国家社会科学基金重大项目“东亚《诗品》、《文心雕龙》文献研究集成”(14ZDB068);上海师范大学一流研究生教育项目“六朝谢氏家族与山水文学研究”(9103-21-368012298)。

摘　　要：陈郡谢氏是六朝鼎盛的文学家族,以山水诗为代表的谢氏诗学,兼具清新典雅的境界与华美绮丽的形态,前者源于东晋的玄言风气,后者则变革了质朴淡泊的玄风,开启了南朝诗歌美学的新纪元。那么,谢氏诗学中的华绮是从何而来?细究同样强调形式之美的西晋潘、陆美学,两者之间存在千丝万缕的关联。首倡华绮的谢混曾用“烂若舒锦”和“披沙简金”来形容潘、陆,在谢氏诗学中,这两种华绮美学的支流同样有迹可循,并从潘、陆双重美学发展成谢氏多重美学。由此,谢氏接续了中断百年的华绮美学,在义熙——元嘉——永明的时代轴心线上,不断推动南朝诗学走向文质兼美的高峰。The Xie Clan from Chen Prefecture in the Six Dynasties is famous for poetry writing.Represented by their pastoral poetry,the Xie poetry combined freshness and elegance,the former stemming from metaphysical style in the Eastern Jin Dynasty characterized by its flamboyance and beauty,the latter being a reform of this dandyism,which started a new era of poetry aesthetics in the Southern Dynasty.So,where did the flamboyance in the Xie poetry originate?A closer look at the aesthetics of Pan and Lu in the Western Jin Dynasty,which also emphasizes the beauty of form,lead to the discovery of an inextricable link between them.Xie Hun,the initiator of new trend of glamour,described Pan and Lu’s works as“brilliant as silk”and“shiny gold grains from washing sand”.In the Xie poetry,these two tributaries were also traceable,and they developed from the dual aesthetics of Pan and Lu into the Xies multiple aesthetics.Thus,they inherited the glamour aesthetics,which had been discontinued for a hundred years,and pushed forward the Southern Dynasties Poetry to the higher level of great quality and beauty along the time axis of Yixi-Yuanjia-Yongming eras.

关 键 词：陈郡谢氏 潘、陆 山水诗 谢灵运 谢朓 

分 类 号：I207.22[文学—中国文学]