宋代绘画写实说质疑  

Query on the Realism Theory of Painting in Song Dynasty

作　　者：华沙 华强[2] Hua Sha;Hua Qiang

机构地区：[1]东华大学服装与艺术设计学院,上海200051 [2]常州大学书画艺术研究院,江苏常州213164

出　　处：《南京艺术学院学报（美术与设计）》2022年第4期21-28,I0002,共9页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：国家社科基金艺术学重大招标项目“中国画学研究”(20ZD12)的阶段性成果。

摘　　要：中外许多学者都认为宋代绘画是再现的、写实的,甚至认为其写实水平已占据人类绘画艺术的最高位置,并认为宋代写实画风的形成是理学影响的结果。然而这不仅是对宋代绘画的误读,也是对宋代理学和画学的误读。其实理学非但不是推动宋代绘画走向写实的因素,反而是拒绝写实,并助推中国独特写意绘画形式语言形成与完善的因素。Many scholars of China and abroad believe that the painting of Song Dynasty is reproducible and realistic,and even that its realistic level has occupied the highest position of human painting art,and that the formation of realistic painting style in Song Dynasty is the result of the influence of Neo Confucianism.However,this is not only a misreading of Song painting,but also a misreading of the Neo Confucianism and painting at that time.In fact,Neo Confucianism was not only a factor to promote the Song Dynasty painting towards realism,but also a factor to reject realism and promote the formation and improvement of China's unique freehand brushwork formal language.

关 键 词：宋代绘画 写实 写意 理学 绘画语言 

分 类 号：J206[艺术—美术]