英国风景式园林中“如画”概念的模糊性释疑  

The Interpretation of Ambiguity of the Concept of"Picturesque"in the English Landscape Garden

作　　者：陈斌卿 邵龙[1] 唐岳兴[1] CHEN Binqing;SHAO Long;TANG Yuexing(School of Architecture,Harbin Institute of Technology;Harbin Institute of Technology)

机构地区：[1]哈尔滨工业大学建筑学院

出　　处：《世界建筑》2022年第9期24-30,共7页World Architecture

基　　金：国家自然科学基金青年科学基金,项目批准号:51908170。

摘　　要：英国风景式园林流行于17±19世纪,如画美学是它的核心造园指导思想。“如画”一词本身具有多变性与复杂性,传入我国景观学界后其词义存在较大的模糊性。经研究发现造成如画概念模糊性的原由有四:“语境上的差异性”“词义的多变性”“美学原理的复杂性”和“多学科边界的交叉性”。按其产生的主体不同,又可分为主观与客观原由。文章运用历史发展视角,运用康德的认识论,解读了如画较为复杂的美学原理。The English Landscape Garden flourished in the 17th to 19th centuries.Its core guiding ideology is the picturesque aesthetics.However,the concept of the term"picturesque"is sophisticated,and its meaning and interpretation remain highly ambiguous after being introduced into the Chinese landscape academic community.After research,four main reasons have been identified as possible causes of ambiguity:its"contextual difference""variability of word meaning""complexity of aesthetic principles"and"intersection of multidisciplinary boundaries".These reasons can also be divided into subjective and objective reasons.In the light of historical development,this paper uses Kant’s epistemology to interpret the complicated aesthetic principles of picturesque.

关 键 词：风景园 如画 模糊性 美学范畴 主观原由 客观原由 

分 类 号：TU986.6[建筑科学—城市规划与设计]