长江流域文化空间的民族舞蹈区际互动研究——兼论民族舞蹈学研究的流域人类学范式  

Interregional interactionof ethnic dances in the culture space of Yangtze River watershed:a study based on watershed anthropology

作　　者：叶笛[1] YE Di

机构地区：[1]南京艺术学院舞蹈学院,江苏南京210013

出　　处：《东南大学学报（哲学社会科学版）》2022年第5期129-138,148,共11页Journal of Southeast University(Philosophy and Social Science)

基　　金：国家社科基金铸牢中华民族共同体意识研究专项“中华民族视觉形象与中华民族共有精神家园研究”(21VMZ019)阶段性成果。

摘　　要：长江流域民族舞蹈的“流域人类学”研究是民族舞蹈学与流域人类学的结合,它将长江流域视作一个文化地理学意义上的“文化空间”,以长江流域各民族的舞蹈文化为关注对象,阐释舞蹈文化如何借助区际文化互动完成长江流域文化空间的建构。在流域人类学的理论框架下,历史上长江流域文化空间青藏、滇黔、巴蜀、荆楚、吴越五大亚文化区之间民族舞蹈通过“廊·道”发生着多元的区际互动。长江流域民族舞蹈在持续、渐进、双向、再造、一体的“区际文化互动”过程中,文化共性逐步增加,差异性日益缩小,最终形成长江流域一体化舞蹈“文化空间”。“区际文化互动”是在“统一时空观”下展开的长江流域文化研究,有助于以更加平等包容的视角来看待长江流域各民族舞蹈文化的互动关系,并为长江流域文化共同体的建构提供支撑。Watershed anthropology,involving ethnochoreology and watershed anthropology,considers the Yangtze River watershed as a “cultural space”in the sense of cultural geography.This paper studies the dance cultures of ethnic groups in the Yangtze River watershed and explains how dance culture has completed the construction of this cultural space with the help of interregional cultural interaction.Under the theoretical framework of watershed anthropology,ethnic dances of Qing-Zang,Dian-Qian,Ba-Shu,Jing-Chu and Wu-Yue sub-cultural regions make interregional interactions through “corridors and roads”.In the continuous,gradual and two-way“interregional cultural interaction”,the cultural commonality increases while the difference diminishes,which finally forms a reconstructed and integrated space in this area--“cultural space of dance”.“Interregional cultural interaction”under the “unified view of time and space”provides a more equal and inclusive perspective on the interaction among the dance cultures of various ethnic groups and forms a theoretical basis of a cultural community building in the Yangtze River watershed.

关 键 词：长江流域 民族舞蹈 区际文化互动 流域人类学 文化空间 

分 类 号：J722.22[艺术—舞蹈] C912.4[经济管理]