汉画像石题记传播主体流变论析  

Analysis of the main body of the dissemination of Han portrait stone inscriptions

作　　者：李鸿森 张丹[1] LI Hong-sen;ZHANG Dan(College of Arts,Qingdao University of Science and Technology,Qingdao 266000,China)

机构地区：[1]青岛科技大学艺术学院,山东青岛266000

出　　处：《哈尔滨师范大学社会科学学报》2022年第4期168-174,共7页Journal of Social Science of Harbin Normal University

基　　金：山东省社会科学规划专项(21CLYJ18)。

摘　　要：在汉画像石中,文字与图像相伴而生,其二者皆是汉代人思想世界的再现与写照。从目前出土的画像石题记来看,在内容上发生了从最早期的寥寥数字到后期几百字的转变。而发生这种转变的原因,与汉画像石题记在不同时代不同的传播主体有着密切的关系。文章旨在解析汉画像石题记传播主体各构成部分,并将其与汉代社会背景、文化情感结合进行阐释,从而发现其流变的原因及规律。In the stone portraits of the Han Dynasty,the text and the image were born together,and both of them are the representation and portrayal of the thought world of the people of the Han Dynasty.Judging from the inscriptions on the stone portraits unearthed so far,the content has changed from a few figures in the early stage to a few hundred words in the later stage.The reason for this transformation is closely related to the different dissemination subjects of Han inscriptions on stone inscriptions in different times.The purpose of this paper is to analyze the main components of the dissemination of Han portrait stone inscriptions,and to interpret them in conjunction with the social background and cultural emotions of the Han Dynasty,so as to discover the reasons and laws of their changes.

关 键 词：汉画像石 题记 传播主体 流变 

分 类 号：G05[文化科学]