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作 者:卓希惠[1] ZHUO Xi-hui(College of Humanities and Social Sciences,Fuzhou University,Fuzhou 350108,Fujian,China)
机构地区:[1]福州大学人文社会科学学院,福建福州350108
出 处:《石河子大学学报(哲学社会科学版)》2022年第4期118-124,共7页Journal of Shihezi University(Philosophy and Social Sciences)
基 金:福建省教育厅社会科学研究课题“欧阳修‘六一风神’探究”(JAS170056)。
摘 要:欧阳修散文在结构艺术方面多学司马迁史传文,尤其是序、记、墓志碑表等文体篇幅虽短,但尤重篇章布局与结构安排。其文或以关键字眼,提领凸显主旨;或以虚运实,虚实相生,手法丰富而多变;或特做抑扬跌宕,迂回曲折,委婉传情达意;或层递衔接、前后照应,文思缜密而结构谨严。文本的细读精析及文献的爬梳剔抉、参互考寻,还原了欧阳修散文特有的风神宕逸、情韵悠长的结构艺术美。In the aspect of structural art, Ouyang Xiu mostly followed Sima Qian’s prose style. Especially it can be seen that the preface, notes and epitaph table written by him are short, but he pays special attention to the chapter layout and structure arrangement. In his prose, Ouyang Xiu sometimes uses key words to highlight the theme;sometimes he combines reality and deficiency, showing that its techniques are rich and changeable;sometimes the structure has ups and downs, twists and turns, to implicitly expresses emotion;sometimes the prose is progressive, closely connected and rigorous in structure. The careful interpretation of the text and the careful use of literature could restore the unique structural artistic beauty of Ouyang Xiu’s prose, which are profound, witty and unforgettable.
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