Howl:A Poetry-Movie Bridging Spontaneous Poetry and Avant-Garde Film  

作　　者：QIU Shi-cun WANG Yao-yao 

机构地区：[1]Sichuan University of Arts and Science,Dazhou,China

出　　处：《Sino-US English Teaching》2022年第8期283-288,共6页中美英语教学（英文版）

基　　金：Supported by the projectof National Social Science Foundation of China“Comparative Study on the Postmodernity of Beat Poetry and‘Third Generation’Poetry”(Project No.21FWWB006)and“A Study on the Translation of Children’s Literature During the May 4th Movement(1917-1927)”(Project No.18FWW010);the key project of Sichuan Foreign Language and Literature Research Center“Research on the Anti-Text Writing of the Beats in the Context of McCarthyism”(Project No.SCWY21-01);the project of American Research Center of Southwest Jiaotong University“A Study on Anti-Text Writing of Beats Writers”(Project No.ARC2021005);the project of Sichuan higher education on the talents training and the reform of teaching quality“An Innovation Research on English Normal Students Training Under the Strategy of‘One Belt and One Road’”(Project No.JG2021-1363);the project of SASU first-class course“A Survey of English and American Literature”(Project No.2020KCB024)。

摘　　要：In the 1950s,McCarthyism,characterized by anti-Communist and anti-foreign policy,was rampant throughout the United States of America.The public recitation of the poem“Howl”marks the beginning of the Beats’rebellion against McCarthyism.As a successful poetry-movie,the film Howl bridged the gap between vision and hearing through a series of diversified presentation forms,such as documentary reenactments,archival photos,and the reconstruction of court trial scenes,thus breaking the boundary between poetry and film.As a kind of displaying the authorship of Ginsberg,the close-up pictures of typewriters repeatedly appear in the film to vividly interpret the Beat writers’style of spontaneous composition.

关 键 词：HOWL poetry-movie TYPEWRITER spontaneous composition 

分 类 号：O62[理学—有机化学]