江户萱园派的诗风承变--以服部南郭、仲英父子为枢纽  

The Inheritance and Transformation of Poetic Style within the Edo Xuanyuan Poetry School: Taking Nang Annkaku Hatsutori and Chiyue Hatsutori as Examples

作　　者：严明[1] 刘丝云 YAN Ming;LIU Siyun(School of the Humanities,Shanghai Normal University,Shanghai 200234,China)

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《苏州教育学院学报》2022年第4期1-11,101,共12页Journal of Suzhou College of Education

基　　金：国家社会科学基金重大项目(19ZDA295)。

摘　　要：江户前中期诗坛上,荻生徂徕开创的萱园派以推崇明七子李、王复古开一时风潮。作为萱园诗派拟古风潮的代表诗人,服部南郭师承徂徕古文辞学,继承复唐明古调的传统。南郭掌持江户诗坛后,其弟子论诗多所沿袭,如大内熊耳、泷鹤台、宇佐美等皆为承袭古文辞的名家。然而跟随南郭二十余年的婿养子服部仲英的汉诗创作却变革家风,独辟蹊径,其诗作显示出隽永有趣的独特个性,是为萱园诗派走向分化,乃至江户诗风与时俱变的一大征兆。In the poetry circle during the early and middle period of Edo,the Xuanyuan Poetry School created by Sorai Ogyuu started the trend of praising Li Panlong and Wang Shizhen’s retro poetry.As a representative figure of the Xuanyuan School,Annkaku Hatsutori continued the antique poetic style,and inherited,as Sorai Ogyuu’s disciple,the ancient poetics of the Tang and Ming Dynasties.After Annkaku became a leader of the Edo poetic arena,many of his disciples such as Kumagami Ouchi,Tsurudai Taka,Chimi U and so on were known by inheriting this approach of poetic studies.However,Chiyue Hatsutori,who was the son-in-law of Annkaku Hatsutori,and followed as Annkaku’s disciple for over 20 years,reformed the family style of Chinese poetry,and showed the unique personality of being unruly,meaningful and interesting in the poems,which is a major sign of the internal differentiation of the Xuanyuan Poetry School,and even the change of Edo poetry style with the times.

关 键 词：萱园诗派 日本 汉诗 服部南郭 服部仲英 诗风承变 

分 类 号：K207.8[历史地理—历史学]